September 5th, 2011 
pro digital camera Nikon D 5100 16.2 MP CMOS Digital SLR Camera with 18-55mm f/3.5-5.6 AF-S DX VR Nikkor Zoom Lens
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Nikon D 5100 16.2 MP CMOS Digital SLR Camera Description
Nikon D 5100 16.2 MP DSLR camera incorporates an amazing array of special effects for use when taking still pictures or recording D-Movie Full HD movies. Selective Color isolates any color within the scene, capture details in places too dark for your own eyes using Night Vision, create bright, glowing images filled with atmosphere with High Key, emphasize the mood of a scene using Low Key, Miniature Effect makes a scene look like a miniature scale model and Color Sketch creates color outlines of the subject that are played back as a series of stills in a slide show.
The Nikon D 5100 16.2 MP DSLR camera offers a host of new photographic and video tools that deliver superior performance and exceptional image quality with surprising versatility. With 16.2 megapixels, a swivel Vari-Angle LCD monitor, full HD movie capabilities, new EFFECTS Mode and new HDR setting, you hold the power and performance to capture beautiful moments and the freedom to get creative.
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Nikon D 5100 16.2 MP CMOS DSLR Camera Technical Details
- 3-inch, 921,000-dot Super-Density horizontal type Vari-Angle LCD Monitor
- In-camera Special Effects Mode
- In-camera HDR (High Dynamic Range)
- Stunning Full 1080p HD Movies with Full Time Autofocus
- High Resolution 16.2 MP DX-format CMOS sensor
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outstanding “prothusiast” D-SLR, solid upgrade from my D5000,
As a long-time owner of the Nikon D5000, and former owner of the Nikon D60, I was eager to purchase the D5100 after seeing the announcements and pre-reviews. Being one of the lucky ones to buy the D5100 with 18-55VR kit earlier this week, I’ve had a few days to play with this camera and can honestly say it’s a solid upgrade to the D5000 I’m replacing, and should be on the short list of consideration for any “prosumer” looking to purchase a D-SLR with outstanding image quality, performance, and low-light capability in a lightweight, compact (for an SLR) body. And, unlike the D5000, this D-SLR finally has a usable Live View and HD video capabilities both with continuous autofocus.
First of all, it’s important to understand where the D5100 fits in Nikon’s capabilities. It is considered a “high-end enthusiast” D-SLR which means that it shares the same image sensor as the high-end D7000 without some of the higher-end features. If you’re like me, very few of the D7000′s features justify its extra cost and weight. The D5100 offers nearly the same image quality as its bigger brother in a less-expensive, smaller package, while adding a few tricks the D7000 doesn’t have including an articulating display that helps you frame hard-to-reach spots.
Compared to its lesser-priced but still excellent brother the D3100, the D5100 offers improved image quality, speed, and resolution, along with a higher-resolution articulating display. For me, this is the sweet spot in Nikon’s consumer D-SLR offerings.
The 18-55VR (3x) f3.5-f5.6 kit lens provides surprisingly good performance and image quality, although you’ll likely outgrow it quickly. I have uploaded a few sample images taken with the D5100 and 18-55VR to show its performance and surprisingly good bokeh (pattern of blurred background) in large-aperture and macro shots.
For lens upgrades that include an AF-S autofocus motor, if you don’t mind changing lenses, the Nikon 55-200VR is an outstanding value with excellent image quality, or consider the Nikon 18-105VR (5.8x) lens included with the D7000. If you don’t mind some distortion and image softness, the 18-200 VRII (18x) lens may be your perfect “walkabout” lens. For me, I bought the pricey but outstanding Nikon 16-85mm VRII. Don’t forget the Nikon AF-S 35mm f1.8 (if you can find it).
Low-light performance is outstanding with this camera, and the level of detail captured by the D5100 is excellent, even at higher ISOs. You’re best capturing in RAW or RAW+JPEG mode (three different JPEG compression levels are offered) if you need to go back and fine-tune exposure or other settings after the shot. Nikon also offers “Active D-Lighting” which is a highly effective method for improving dynamic range of a photo to equalize the difference between high and low-light areas of a photo.
Interestingly, the improvement in image quality compared to my D5000 isn’t dramatic. Given the incredible improvement I saw when upgrading from my Nikon D60 to the D5000 perhaps I had unrealistic expectations for this new sensor. But in most image settings, even low light, the improvement is noticeable but subtle. That speaks more for the outstanding quality and low-light sensitivity of the D5000 sensor (which is shared with the D90) than it speaks against the D5100. With the D5100 you get higher resolution for improved cropping, and the 14-bit RAW images offer greater dynamic range for more flexibility after the shot is taken.
Speaking of RAW format, as with any new camera, there is a bit of a wait until updates are available for your favorite camera software. As of May 18th, Adobe, Apple, and Nikon have added support for the D5100 RAW files, so you can use Aperture, iPhoto, Nikon View NX2 (v2.1.1 and later), Nikon Capture NX2 (v2.2.7 and later), Lightroom 3 or Photoshop CS5 (via Adobe Camera RAW 6.4 or later). If you use other photo software or another platform, you may want to verify RAW support for the D5100.
Compared to my D5000, Nikon has gone back and addressed most of my concerns on ergonomics and performance:
- camera body is roughly 10% smaller and 10% lighter
- 16.2 megapixel CMOS DX-format image sensor (shared with D7000) captures 14-bit RAW images and offers +1fs greater low-light sensitivity
- ISO 100-6400 range with expansion to 25,600 ISO (D5000 minimum is 200 and expansion to 12,300)
- high resolution (920k pixel) display for greater detail in image previews (although I had to bump up the default brightness one notch for accuracy)
- side-mounted articulating display no longer interferes with tripod (the D5000 display is inconveniently hinged at the bottom)
- dramatically improved (now usable!) LiveView mode with continuous autofocus even in HD video mode (more on that later)
- full HD 1080p movie capture without the “jelly effect”, in more standard H.264 mode up to 22 min (D5000 is AVI…
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|Deciding Between the Nikon D5100, D7000, D3100, and D90,
The Nikon D5100 brings the high quality 16.2 megapixel sensor, great low-light performance, and full HD video capability with all the frame rate options from the popular pro-sumer D7000 to the enthusiast level model – and then includes a fully adjustable side-mounted rotating screen to boot. The D5100 should prove to be an excellent option for new dSLR users plus those experienced enthusiasts wishing to upgrade their D50, D60, or even their D3000 to gain additional megapixels, shooting and processing speed, video, and an improved rear LCD screen. The variety of features and functions offered on the various Nikon dSLR cameras might make it difficult to choose between them, but there are some important differences.
The new Nikon D5100 sits just above the D3100, a bit below the aging D90, and several steps below the fully-featured and highly customizable Nikon D7000. The D5100 boasts a 16 megapixel image sensor (just like the D7000), shoots 4 frames per second in continuous mode, has HD video capability at 24, 25, and 30 fps, and includes the fully rotating rear LCD screen improved in flexibility from the screen of the D5000.
Generally as the cameras increase in price and capability from the entry level model to the enthusiast pro-sumer model they gain more sophisticated autofocus and exposure metering systems, shoot faster (more frames per second) in continuous shooting mode, have more controls and buttons for changing settings on the camera body, and offer more menu and custom function options.
Sensor and Image Quality: The sensors of the D5100 and D7000 are greatly improved over the older D90 in a couple of ways. The D5100 and D7000 have 16.2 megapixel sensors, where the D90 has 12.3 megapixels. The relatively new D3100 has a 14.2 MP sensor. This increase in resolution allows for more intrusive editing of the files in Photoshop, the ability to crop a picture and still obtain an image with high enough resolution for printing or display, and allows for larger prints. In addition, the improved sensor results in better performance at high ISO settings and in low light, better dynamic range, tonal range, and color sensitivity. Have a look at the dxomark website to compare the sensors.
Exposure Metering: The D5100, while sharing a similar sensor to the D7000, does not have the same advanced metering system. It shares the less sophisticated 420 pixel RGB metering sensor of the D3100 and offers matrix metering, non-adjustable center-weighted, and spot metering modes. This system may be more than sufficient for many users, especially those not intending to adjust their exposure settings and dig into their menus in reaction to complex lighting situations. But if your shooting demands require more precise exposure metering and control over the size of the areas being metered, you need to consider the D7000 or D90. The 2016 pixel RGB metering sensor of the D7000 is also improved compared to the D90, and will result in more accurate metering performance of straightforward and complex lighting scenes and situations. Both these cameras offer matrix metering, center-weighted, and spot metering modes. With center-weighted metering on the D90, you can select the size of the center-weighted area to be a 6, 8, or 10mm center circle, and the D7000 adds a 13mm circle option.
Autofocus: The autofocus systems of the D3100, D5100, and D90 all have 11 autofocus (AF) points with the center one being a more accurate cross-type. These AF systems may be more than sufficient for most users, and they can successfully track moving objects in the frame such as athletes, performers, or animals. However, if you specialize in sports, action, wildlife, or bird photography, you are going to want to consider the much more sophisticated, accurate, and customizable AF system of the D7000. The D7000 boasts a significantly improved AF system of 39 AF points with 9 of them being cross type. The AF system of the D7000 allows for you to use these points in various ways including automatic AF point selection, single point AF, and dynamic area AF using your choice of 9 points, 21 points, all points, or all points with 3D-tracking. It is important to note that the D5100 and D3100 do not have an autofocusing motor built into the body so you have to be sure to purchase lenses with built-in AF motors. For example, the Nikon “Nifty 50″ 50mm f/1.8 will not autofocus with these cameras. The D7000 and D90 have the built-in motor.
Body, Construction and Size/ Weight: The D5100 is just slightly larger and a tiny bit heavier than the D3100, both weighing just over one pound. Both have plastic bodies and more limited buttons and controls that the higher end models. Many users should find its size and weight great for using and carrying around, though some prefer the ergonomics of a larger body. The D90 and D7000 appear very similar at first glance, but the plastic body of the D90 has…
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|It’s a good camera with a few reservations (especailly the HDR feature),
As with any review, a lot is dependent on the reviewer’s taste, expectations and understanding of the product. So let me make it clear where I fit in there and then how this camera performed.
I have a lot of photography and video experience but I am not a professional. What I EXPECT is a camera that is easy to use but powerful in features. I like seeing new technology even when it is sometimes inferior to older technology (I know some of you can relate to that). I expect good build quality and I expect that a camera does what it is advertised to do. This camera basically did not disappoint. But I will say honestly that I was comparing this to the D7000 even though the latter is a good $400 more expensive. But the D5100 was newer and it had some things the D7000 does not have that I thought were important to me:
1. A swivel screen (I’ve never had a still camera with that). I am upgrading from a D70.
2. Capable of HDR pictures with in-camera processing.
3. Cheaper and lighter weight.
Many of you may choose the D5100 for other reasons but these were mine. In the end, I returned it and bought the D7000 (that review is coming soon). Here is why:
I like the idea of HDR photography and the D5100 can do it right in the camera! To explain why I gravitated towards this particular feature, I need to step back and mention an in-camera feature I had once on a point-and-shoot. I used to have an HP camera and it helped you frame a panoramic picture. When you were done, it stitched it together. Voila! You had a panoramic picture ready to go. When I upgraded to the next model, it also had a panoramic feature to help you frame it, but it did not do in-camera stitching (as most all cameras do not these days). Instead, you are supposed to stitch it with the software the camera comes with. So guess what happened? Nothing….I stopped doing panoramic pictures, because I was too lazy to take the time to find the right pictures, import them into the software, stitch and then export it back to the right folder – too much hassle.
Well, the idea with in-camera HDR was a real selling point for me on the D5100. As of this writing, I am not aware of any other camera that does this (I’m sure someone will correct me?). So this may be the #1 reason I ended up getting the D5100 and it is the #1 I returned it. If you look at Nikon’s website they advertise this feature and show an example of a lighthouse – the result is stunning, just as you would expect from HDR. Let me just say flat-out: this will not be the result you see in the real-world. I took about 100 different high-contrast shots and most of them looked better with the HDR processing but most of them only looked *marginally* better. The shadows had more detail and the bright areas were less blown out. So it works. But I then bracketed +2,0,-2 images and plugged them into Photomatrix and BAM! Now that’s HDR! No comparison whatsoever. It turns out, the Nikon D5100′s version of HDR is to take just two shots (-3,+3 , or some variation on the stops) and then it combines it into one image. If the (+3) shot was a little blurry, because over-exposed shots tend to be this way, then the final HDR image is blurry too. Now when this happens on a bracketed set, that is OK, because you still have the normal (0) exposure to take back with you at the end of your vacation. But if the D5100 made a bunch of blurry shots, you are hosed. There is no way to recover from that. You would have to analyze every shot closely on that little 3″ screen to verify you got the shot or you would need to take duplicates with normal exposure just to make sure. Also, the HDR feature is not even written in the instruction manual – go ahead and look…no where to be found! I had to look it up in the longer online pdf manual to see how to use the feature, and it turns out you have to press about 6 buttons pretty deep in the menu just to get the camera to take an HDR. Once you depress the shutter, you have to go back through the whole menu again. Ridiculous! Finally, I figured out you can assign the “Fn” button to handle this, which was really a very good workaround. So all in all, I was really excited about in-camera HDR and in reality, it was a big disappointment. Now on to the other stuff:
The swivel screen: You either love it or hate it. I hated it, but that has nothing to do with the actual camera, just the concept. Basically I think it’s mechanically the weakest point of the camera. That little swivel is just asking to snap off the next time I chase my son around the house and back into a corner or cabinet. I can guess it would cost a fortune to have Nikon fix that. Also, I am not into swiveling the screen closed so the screen faces the camera when I am done shooting. I am simply not that meticulous. I want to have a spontaneous camera that I can pick up and shoot whenever I want. So what’s the point if I have to un-swivel the screen every time I…
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